Amnon Wolman | Bnaya Halperin-Kaddari | Maayan Tsadka | Phill Niblock | Neil Leonard | FICTA
Central Space Schedule – Live Events:
10:30 – 11:30 | FICTA Ensemble – Section A
Bnaya Halperin-Kaddari – The imaginary conservatory session I: Unmastered-class with Alufon Unplugged for ensemble and electronics (2021) (world premiere)*
FICTA ensemble: Roi Becker, Inbar Sharet, Amir Weissman
11:30 – 12:30 | Maayan James, Saxophone
Amnon Wolman – Exit for baritone saxophone and electronic sounds (1994)
Exit (2) for Tuba and electronic sounds, (2014)
Amnon Wolman – Exit for baritone saxophone and electronic sounds (1994)
12:30 – 13:30 | Ensemble FICTA – Section B
Bnaya Halperin-Kaddari – The imaginary conservatory session II: Unmastered-class with Alufon Unplugged for ensemble and electronics (2021) (world premiere)
13:30 – 14:30 | Conversation session with composers Bnaya Halperin-Kaddari and Maayan Tsadka
14:30 – 15:30 | FICTA Ensemble – Section C
Bnaya Halperin-Kaddari – The imaginary conservatory session III: Unmastered-class with Alufon Unplugged for ensemble and electronics (2021) (world premiere)
15:30 – 16:30 | Conversation session with composers Amnon Wolman and Dganit Elyakim
16:30 – 17:30 | FICTA Ensemble – Section D
Bnaya Halperin-Kaddari – The imaginary conservatory session IV: Unmastered-class with Alufon Unplugged for ensemble and electronics (2021) (world premiere)
17:30 – 18:30 | Video Work
Amnon Wolman – The Red Bus Stops Here for three naked men, three mannequins, and electronic sounds. (2000). Based on interviews with HD Motyl
All day: Looping audio/visual pieces (throughout the building)
Maayan Tsadka – Ra’ash Adama, VideoSound work for tuning forks and organic material (2021)
Phill Niblock – NuDaf for bassoon and live electronics (2020)
Neil Leonard – Sonance for the Precession quadraphonic sound installation (stereo mix 2019)
Amnon Wolman – Naked three pieces for naked performers.
Exit for baritone saxophone and electronic sounds (1994)
Exits (2) for Tuba and electronic sounds, (2014),
The Red Bus Stops Here for three naked men, three mannequins, and electronic sounds. (2000).
*
The Alufon-Unplugged was developed and built with Ido Gordon with the generous support of the Mifal Hapais Cultural Fund.
20:00 Meitar Ensemble // Opening concert // Zucker hall
Mark Barden – Flesh/Veil for ensemble (2012)
Clara Iannotta – Al di la del Bianco for bcl & string trio (2009)
Lisa Illean, Février for cl, vlc & pno (2019)
Brigitta Muntendorf – Shivers on Speed bass flute, bass clarinet, violin, cello & piano (2013)
Hadas Pe’ery – Is there really no alternative for flute, clarinet, violin, cello & piano (2020)
Conductor – Guy Feder
Hagar Shahal, Flute;
Snir Kaduri, Flute *
Jonathan Hadas, Clarinet
Talia Herzlich, Violin *
Benedikt Bindewald, Violin
Nathanael Gubler, Viola *
Yoni Gotlibovitch, Cello
Alma Bar-Sinai, Cello
Dennis Sobolev , Electric Guitar
Amit Dolberg, Piano
* – Members of the Tedarim Ensemble – M. Mus for contemporary music, the Jerusalem Academy of Music and Dance
22:00 Carmel Quartet // Zucker hall
Ruth Crawford Seeger, string quartet No.1 (1931)
Josef Tal, String quartet No.1 (1954)
Morton Feldman, “Structures” for string quartet (1951)
Shai Cohen, Seven Cadenzas for string quartet & electronics (2018)
Rachel Ringelstein violin
Tali Goldberg violin
Shuli Waterman viola
Tami Waterman cello
20:00 Benjamin Hochman // Hateiva
Tristan Murail– Cloches D’Adieu Et Un Sourire for piano (1992)
Rebecca Saunders– Shadow for Piano (2013)
Christopher Trapani– Two Canons for piano Four Bells Convex Mirror (2021, *Israel Premiere)
George Benjamin– Shadowlines, Six Canonic Preludes for piano (2001)
21:30 Shunyata Presents: Liberation Through Hearing (2021) // Hateiva
Liberation Through Hearing, interactive opera (2021)
for live performances, video and electronics
Libretto
Shunyata (Dganit Elyakim and Shahar Sarig)
Visual and music
Shunyata
Interactive and game developer
Yotam Noy
Cutscenes (pre-recorded)
Omer Gal
Sound Director (pre-recorded)
Ronald Boersen
Narrator (inside the Bardo Todel)
Anat Pick
Voices (choir), External Signs of Death (pre-recorded)
Michal Oppenheim
Narrator, Cutscenes (pre-recorded)
Guy Harries
Bass and Alt Recorders
Inbar Solomon
Bass Clarinet
Nitai Levi
Percussion
Tomer Galili
Supported by: Director of Culture, Independent Creators Foundation, Joshua Rabinovich Foundation
23:00 Electronic salon // Hagai’s Studio (free entry)
Electronic salon: Hagai Izenberg
Radio Concrete live (2021) WP
Followed by a listening experience of sound work:
Pauline Oliveros – The Day I Disconnected the Erase Head And Forgot to Reconnect it, sound work (1966)
20:00 Musica Nova // HaTeiva
Malcom Goldstein – The Seasons: Vermont for chamber ensemble and magnetic tape collage (1980 – 1982)
Neo Hülcker and Stellan Veloce – EAR ACTION for performer and various objects (2016)
Yoav Levy – Milk, sugar and conch shells – for Musica Nova Ensemble (2021)
Kelley Sheehan – R.A.M for 4 instruments and video-score (2019)
performers: Ma’ayan Tsadka, Orr Sinay, Adi Snir, Shaul Kohn, Assaf Shatil, Ayelet Lerman.
Experimental duo
23:00 Electronic Salon // Hagai’s Studio (free entry)
Electronic Salon: Gog
Something on a Thin Rope (2019)
Tom Klein – cello
Amit Biton – synth
Stav Lipitz – drums & percussion
followed by a listening experience of sound work:
Kevin Drumm – With Pulse. Without, sound work (2019)
20:00 Meitar Ensemble //Hateiva
John Luther Adams – The Immeasurable Space of Tones for ensemble (1998-2001)
Klaus Lang – Hungrige Sterne for ensemble (2012)
Jonathan Hadas, Clarinet
Horn – TBA
Benedikt Bindewald, Violin
Yoni Gotlibovitch, Cello
Eran Borovich, Contrabass
Daniel Solomonov, Vibraphone
Amit Dolberg, Keyboard
Tomer Westman, Piano
21:30 Albert Beger Quartet //Hateiva
In A Grateful State of Mind
Albert Berger – Saxophone, Moog, Alto Flute
Eden Giat – Piano
Assaf Shchori- Bass
Nitzan Birnbaum – Drums/percussion
23:00 Electronic Salon // Hagai’s Studio
AEO Trio: Adi Snir, Elad Bardes, Ofer Bymel
Elad Bardes – Music for Kum for aerophones, percussion and electronics
A new piece by Elad Bardes for AEO Trio
Supported by Mifal HaPais Council for the Culture and Arts